Tag Archives: self-publishing

Announcing *You CAN Format Your Print-on-Demand Book!* Live at Amazon!

Just Can't Help Writing

The Beginner’s Cheat Sheet for Formatting with Adobe InDesign™

I announce with great pride that my ebook,

*You CAN Format Your Print-on-Demand Book: The Beginner’s Cheat Sheet to Formatting with Adobe InDesign(tm)*

is live at Amazon!

I trace my own journey formatting with InDesign, stripping that scary interface down to the essentials you actually need to format a paperback interior. It’s a lot easier than it looks! And with Adobe’s free trial, you can find out whether InDesign will work for you without spending a cent on software.

indd cover 1v2 Check it out! Only $2.99

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Tension and Conflict. What’s the Difference?

KRISTINA STANLEY

Tension and conflict will keep your reader engaged in every scene. Knowing the difference and when to use each will drive your story forward.

Tension

Tension is the threat of something bad happening. This creates suspense.

Tension can be subtle or in-your-face.

Subtle Tension: Imagine one character is hiding a secret that could destroy his life and another character is about to accidentally spill the secret. The reader will feel the tension if you’ve set up the scene so that the reader knows the second character can’t keep a secret.

In-your-face Tension: A woman is thrown off a boat at sea. The tension comes if the reader cares about the character and wants her to survive. Or the tension could be she’s an evil woman who is about to destroy the world, and the reader doesn’t want her to survive.


Conflict

Conflict is the fight that is actually happening. A…

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When It’s Time To Stop Auditioning, Give Yourself the Job: Self/Hybrid Publish

| Rock+Paper+Music |

Let me start with a disclaimer: this is not a screed against traditional publishing. Yes, those are trendy and you’ll find lots of them out there, but this is not one. Life has taught me that when something sustains as long as traditional publishing has, it’s because it remains, however confounded and confused, a vital player in the scheme of things. I’d say that’s the case with the Big 5.

This is, instead, a few of my cobbled thoughts on the topic of why one might choose otherwise; why one might self-publish, or hybrid publish, or publish outside the realm of that iconic process of securing an agent who’ll, hopefully, wrangle a publishing deal, that will, hopefully, vaunt you into the stratosphere of big awards and New York Times bestseller lists. As much as one might dream of that starry-eyed path to literary greatness, there are myriad reasons why one might choose…

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How Working with a Critique Group Can Improve Your Manuscript

I wrote my first four novels without any outside input up to the point when I sent the second draft to a small group of pre-readers, made more changes and then on to my editor. Then I moved home from London to the English south coast and started work on novel number five, which became…

via How Working with a Critique Group can Improve your Manuscripts — Women Writers, Women’s Books

Using Triggers to Poke at a Character’s Emotional Wound

Kobo Writing Life

By Angela Ackerman

When it comes to acknowledging what hurts us, the old saying, Deny, deny, deny! comes to mind. Why? Because in real life we don’t want to appear weak, so when we suffer emotional pain, we often stuff it down deep and paste on a smile as if nothing is wrong. It’s no different with our characters, and in both cases, refusing to deal with wounding events carries a steep price.

Unresolved psychological pain doesn’t go away and hiding it only leads to dysfunction and unhappiness.

Emotional trauma is, by nature, painful. When it happens, our feelings are laid bare. So it’s no wonder that last thing anyone wants to do is unpack that vulnerability again to work through it. Avoidance seems better, but it leads to dysfunctional coping methods like bad habits, flaws, biases, and emotional reactiveness.

This type of emotional shielding keeps people and further possible…

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Your Five-Minute Guide to Pricing Your Self-Published Book…

Chris The Story Reading Ape's Blog

By Fred Johnson on The Book Designer site:

There’s one question that we editors hear again and again from the self-publishing writers we work with: how much should I charge for my first book?

It’s certainly a tricky question. The history of self-publishing is littered with tragic tales of overpriced and underpriced books falling at the wayside as stingy or sceptical crowds pass them by. It’s one of the most common mistakes self-publishing writers make.

What’s the Problem?

Pricing your book isn’t a one-size-fits-all kind of deal. It depends on what you’ve written, how long your book is, how established you are as a writer, and any recognition, reviews, or awards you or your work have amassed. The quality of the cover, formatting, and design will also play an important role. Before you think about pricing your book, look over these tips…

Guide to Pricing Your Self-Published Book

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Review of Green-Light Your Book by Brooke Warner

Sandra Smith

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In April I attended the IBPA PubU in Portland. More about that event here.  Included in our free tote bag with the regular goodies of pens, notepads, etc., was the book, Green-Light Your Bookby Brooke Warner of She Writes Press.

I read the book pretty quickly, but unfortunately didn’t write the review right away. As I look through it now, checking my underlines and attempting to write this review, I realize I could write several pages, much too long for a blog post. I’ll do my best to condense.

First, I really enjoyed Green-Light. Although it seemed meant for the person who has just finished their first manuscript and is still “waiting to be published,” as someone who’s already published several novels, I still found Green-Light to be thought-provoking, inspiring, and contain some useful info (for example, the section on the advantage of forming an LLC).

Anyone…

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