Tag Archives: fiction

Why You Need an Author Profile – And Where to Post It

One of my hugely informative author profiles. Don’t do this. Author profiles are an essential part of book marketing and promotion. An a…

Source: Why You Need an Author Profile – And Where to Post It

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How to Spark Your Story With an Inciting Incident

First Edition Design Publishing - a hybrid publisher

If you are planning on writing a story, there is something you need to consider besides basic plot structure. You need to determine your Inciting Incident.

What incident will compel your protagonist to act?

What Is an Inciting Incident?

I am reading The Story Grid by Shawn Coyne and Story by Robert McGee to learn how to write a compelling story. Both Coyne and McGee emphasize the importance of writing a compelling inciting incident.

To incite means to stir, encourage, or urge on; to stimulate or prompt to action.

An inciting incident, then, is an event that forces your protagonist to act, compelling them to stop sitting around and do something.

Shawn Coyne has this to say about inciting incidents:

No matter the unit of story (beat, scene, sequence, act, or global Story) what the inciting incident must do is upset the life balance of your lead protagonist/s. It must make them…

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Personalizing Your Character’s Emotional Wound

First Edition Design Publishing - a hybrid publisher

Emotional wounds are tricky to write about.

Abuse, betrayal, victimization, and the death of a loved one may exist in our characters’ pasts and so must be explored.

But these are also real life events that cause damage to real people.

So as I talk today about personalizing wounds for our characters, please know that I’m aware of the pain they cause in our world, and I applaud the courageous individuals who fight to come to grips with them every day.

Why Wounding Events Matter in Fiction

Wounding events greatly affect a character’s development, so they’re important to identify.

These painful experiences are deeply impactful, giving birth to life-altering fears, new habits and behaviors, even flaws meant to protect her from facing that pain again.

Wounding events are aptly named because they change who the character is; until they’re faced and addressed, she will never be whole.

But pinpointing what…

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How Working with a Critique Group Can Improve Your Manuscript

I wrote my first four novels without any outside input up to the point when I sent the second draft to a small group of pre-readers, made more changes and then on to my editor. Then I moved home from London to the English south coast and started work on novel number five, which became…

via How Working with a Critique Group can Improve your Manuscripts — Women Writers, Women’s Books

Why I prefer nonfiction over fiction

Sarahbeth Caplin

35244821086_e8236a33a9_z1-300x200Since I was a child, I’ve dreamed of becoming the next great American novelist. I have published a few novels, and yet none of them are quite as dear to my heart as my two memoirs. I realized something critical about myself the more I’ve devoted myself to nonfiction writing (mostly about the intersection of faith and politics): I’m not very good at making things up.

If there’s anything I’ve learned during my time as a graduate student of creative nonfiction, it’s that memoir writing, and even literary essays, can follow a story arc similar to what you’ll find in fiction: there is a beginning, a development of conflict, a set of characters (even if the only character is the writer herself), a middle, and a resolution. Like fiction, nonfiction doesn’t require a neat, tidy ending. But a decisive finishing point is required just the same.

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